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Wednesday, January 28, 2009 at 8 p.m.
It's been said that voice is the original instrument, but it's certainly come a long way since Gregorian chant. From overtone singing with amplified pop rocks to the point where speech and surly snarls become indistinguishable, each of the composers featured on this program have taken the vocal cords to their outer reaches and beyond. If one thing's for sure, it's that this music will leave you speechless.
Tickets are $10, general admission and $5 for Contemporary Museum members and students with a valid ID.
Prelude and Interlude Music: The Interview: When Words Fail by Jennifer Bangley Foster
Lipstick (1998) by Jacob ter Veldhuis
for flute/alto flute and boombox
Shy Girl Shouting Music (2005) by Missy Mazzoli
for soprano, piano, electric guitar, and double bass
Zansetsu (2002) by Ken Ueno
for overtone singer, violin, and electronics
Les Corps À Corps (1982) by Georges Aperghis
for percussionist and zarb
Pierrot Redux (1912/2009) by Arnold Schoenberg/Erik Spangler
for soprano, flute, clarinet, violin, cello, and piano
Featuring
Ken Ueno, multiphonic vocals and laptop; Julieanne Klein, soprano; Katayoon Hodjati, flute and alto flute; Jennifer Everhart, clarinet and bass clarinet; Tim Feeney, percussion; Brian Sacawa, electric guitar; Nathan Bontrager, ‘cello; Joel Ciaccio, double bass, and Devin Hurd, piano.